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Emile Parisien Quartet — Let Them Cook
Date de sortie : Mar. 01, 2024
Label : Act

Emile Parisien Quartet – Let Them Cook

1- Pralin (Parisien)
2- Nano Fromage (Loutelier)
3- Coconut Race (Parisien)
4- Ve 1999 (Gélugne)
5- Pistache Cowboy (Loutelier)
6- Wine Time Pt.1 (Touéry)
7Wine Time Pt.2 (Touéry)
8- Tiktik (Parisien)
9- Mars (Parisien – Loutelier – Gélugne – Touéry)
10- Bazar – bonus track (Parisien)
11- Loin du Phare – bonus track (Gélugne)


Listen / stream here

Music by Emile Parisien Quartet

Emile Parisien soprano saxophone & FX
Julien Touéry piano
Ivan Gélugne doublebass
Julien Loutelier drums & electronics

Produced by EPQ

Recorded by Boris Darley & Mathieu Pion at Studio Gill Evans, Amiens (FR)
Mixed by Mathieu Pion

© samuel kirszenbaum

When accidents happen, they are normally over in seconds, sometimes minutes; this one has been going on for 20 years. It is two decades since the members of Emile Parisien’s quartet played a jam session together. At the end, they looked at each other in disbelief. They had not just been hit by a collective musical thunderbolt, they also knew they had just brought…well…something…into being. The common ground between them was jazz, but each had all kinds of seeds to sow in it, from classical music and contemporary sounds to rock, electronica and chanson. Saxofonist Emile Parisien, Pianist Julien Touéry, Bassist Ivan Gélugne and drummer Julien Loutelier rip up labels, break down barriers, upset codes, and yet they know exactly where they are headed. There is a shared obsession with narrative. “The central axis of the quartet has always been storytelling,” Parisien emphasizes.

“Let Them Cook” is like a breath of fresh air, and with a band sound now firmly and unmistakably of 2024 rather than 2004. There was a particular turning point: at a concert in Sweden near the end of their “Double Screening” album tour, they had taken a chance and tried out a move from an entirely acoustic sound to incorporate some electronics.It worked, so they stayed with it: they found that these electronic punctuations never polluted the band’s DNA, but rather stimulated it. The electronic apparatus was clearly additive to the stories of these compositions, the way it all fitted together was astounding.

Which brings us back to the ever-present question: how do you get away from the classic jazz quartet of sax, piano, bass and drums? “We’re always trying to find the answer! There’s no point in redoing what the John Coltrane and Wayne Shorter groups did, because in many ways you’ll never reach their level.” “There’s a certain road in life most people walk on,” Wayn

e Shorter once said, “because it’s familiar, and they can jostle to get in front. I prefer to take a different road that’s less crowded, with many forks, where you get a wider view of life. I call it ‘the road less travelled’. That’s where I want to be.” In the year which marks its 20th anniversary, Emile Parisien’s quartet has never been more in tune with the thinking of one of its main influences.